(probusa @ Sep. 26 2007,10:17) pashnit i would just like to say that you are 1 hell of a photographer.in my opinion they are the best photos i have seen in a long while.i have set a landscape 1 as a wallpaper hope you dont mind but they are trully amazing
good work and please keep us posted on your tours as it is just a dream to see this.
Thanks pro- that's a helluva compliment. I've had photos published in Cycle World, Motorcyclist, Sportbike, etc. over the years which is pretty cool. Photography is really just a hobby for me, just always take a camera along when out riding. I have no formal training in taking pics & never read any 'how-to' books. Really just learned by doing, and taking tens of thousands of shots of bike+road over the years.
Was recently asked if I would share 'pashnit secrets' about my style of photography so I whipped up some rough text awhile back. Really ought to develop this into a webpage someday, but have a looksy, might get some helpful hints out of it if you like to shoot motorcycle photograpy. The camera I have is a Canon Pro1. About '04 vintage ($500 then), and no longer made. You can still find them, and last guy I knew that got one picked one up for about $312.
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Pashnit Photo 'Secrets'
I know very little about cameras. The last two cameras I've bought, I found somebodies photos that looked good, asked them what they had, and bought their camera. My previous 4 SLR cameras were 2nd hand freebies all given to me. Wore every one of them out. Incidently, I've shot about 20,000 photos with this camera and it's just about worn out too.
I always shoot on 'auto'. Might surprise you to learn that I know very little about camera terminology & nomenclature.
I never use a flash. 99% of the time I'll use natural light, even when shutter speed gets down to 1/8 of a second. Find a wall to lean against, and use the natural light to your advantage.
I don't use filters such as UV or tint, that sort of thing. I even bought the kit for this camera, but have never used it. Keep thinking I should try it though.
I love the flip out screen & will probably not get a camera without one. This allows shots with camera held high above head, around corners or down low.
The Pro1 camera (on auto) actually produces photos that are somewhat bland in the color. Or at least to me. I doubt this is indicitive to this camera, others pics when posted look the same too if there's no post-production.
One lil sidebar thingy is I'm colorblind so I never mess with colors on the camera settings (or in post-production), as I'm never sure exactly what I'm looking at. Last time I was tested by the military, they rated me at 90% across the spectrum. The nifty green lawn you have looks red to me. Traffic lights aren't green, they're white. So I go when the traffic light turns white.
I'm huge on using the zoom. This camera has a 200mm lens so I've often mentioned in threads zooming the camera all the way (don't use the digital) than start walking backwards (taking pic of your bike for example) until your bike (and some background) fits in the frame.
I'm big on cropping. Take the shot with the highest setting your camera has (these are usually 4M & 3200 pixels wide) so you have lots of square area to work with later on.
Frame the shot. A simple technique, use a tree on the left side, a building, a mountain side, something.
I'm huge on triangulation, or using triangle shapes in the shot in turn create create layers.
About 'layers' in the shot. Object in foreground, the middle, background in the back. Easy example is shooting ridgelines as they layer away from the viewer. Forest Rd 1 is famous for this.
Scenery shots are boring. Anyone can take a picture of a mountain or lake. Something needs to be happening in the shot to make it interesting to the viewer.
I always follow the rule of thirds, or whatever it's called. Think of the shot divided into thirds. While that's in reference to composition, also consider the next rule...
I always try to introduce a 'leading line' into the photo. This is a line that goes diagonally across the photo. Easy example is road that goes into the distance. Using a fence that stretches off is another example.
If you shoot into the sun with roads, the roads will glow. Shoot roads away from the sun, and the road blends into the shot.
Triagulate the sun into the camera lens. Another way to say this is bounce the rays of the sun (off your bike for example) in a tiangle shape into your camera lens.
A photo should tell a story.
You need to have three things going on it a shot. Scenery + bike + person = story. Curvy road + scene + bike = emotion. Again, picture of mountain. One thing going on = boring. If you can create emotion with a shot, you've got the viewer.
I'm huge on 'composition'. This is everything to me with photographing stuff. I'd also call it 'placement of objects'.
I read somewhere that the eye/brain when it looks at a photo, will follow an 'backward J' pattern when it looks at the photo. So I try to use that rule alot when setting up the composition of the shot. How they come up with that stuff, I've no idea.